Bex Massey has many strings to her bow.  She works mainly in Drawing, but has produced numerous pieces around other genres of art; such as Painting, Printmaking, Installation, Sculpture and Photography.

Her primary endeavours concentrate on the use of graphite on paper in the modern day.  She is interested in the new rise of artists producing 'Fine Art' through the same medium. 

Her most recent work has been produced in the form of a Graphic novel.  In which Bex makes reference to a large and varied calibre of art related fields and practitioners. For example; Olivia Plender, Tim Burton, Quentin Tarantino, 'marvel comic books' and 'pulp'.  She has only one main contributor, and in effect co-editor for her pieces, and he is surprisingly William Shakespeare.

Bex has been interested in the works of Shakespeare from an early age.  It is within her 'graphic novels' that she is able to bring that passion to life.  She hopes that in undertaking each project that she will make Shakespeare more accessible for the masses.  Bex has been involved in various projects of a similar theme.  In May and July of 2006, she exhibited in Hackney, London and Trolhatten, Sweden in a collaborative exhibition which aimed to illustrate Satre's 'Nauseau'-long seen as a difficult book to grasp on first inspection.  This love for archetypal texts, and producing them in a manner which is not only understandable, but thought provoking and engaging for the viewer, is the main drive in Bex's work.

In her 'graphic novels' Bex creates an alternate universe in which the viewer can assimilate themselves in.  Her time frames are based on factual historical information, and then embellished upon.  For example in Bex Massey's piece 'Stuprum'-based on Titus Andronicus-she invents a Third World War to follow the two previous, culminating in 1950.  In creating this time vortex her imagery is recognisable of the era to determine its prevalence, and yet distorted as to allude to its fictional consequence.

This distortion of fact and fiction also enables Bex to address and alter architecture, fashion, language, and cinematic qualities.  It is in so doing, that she creates timeless pieces which inherently advocate multivalent qualities.